Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture

beteiligte Personen: Berg, Hubert, [editor.] • Bru, Sascha, [editor.] • Hjartarson, Benedikt, [editor.] • Nicholls, Peter, [editor.] • Nuijs, Laurence, [editor.] • Ørum, Tania, [editor.]
Verfasserangabe: Sascha Bru, Laurence Nuijs, Benedikt Hjartarson, Peter Nicholls, Hubert Berg, Tania Ørum.
Medientyp: E-Book
veröffentlicht: Berlin ; Boston : De Gruyter, [2011]
Umfang: 1 online resource (502 p.)
enthält: Frontmatter -- About the Series / Sur la collection / Zur Buchreihe -- Contents -- Introduction -- Given the Popular -- Terms and Canons -- "The Madness of the Unexpected": Duchamp's Readymades and the Survival of "High" Art / Perloff, Marjorie -- Instrument of Inspiration: High/Low Illusions in British Experimental Music and After / Paterson, Alexis -- English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension / Buchowska, Dominika -- Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide / Sánchez-Pardo, Esther -- Art, Nation and Political Discourse / Ayers, David -- Culture en quête de repères / Genin, Christophe -- Folklore -- Dada, Carnival and Revolution / Lewer, Debbie -- Spuren der Volksdichtung in der ungarischen Avantgardeliteratur -- Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song / Buelens, Geert -- What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry / Śniecikowska, Beata -- Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik / Samson, Regina -- The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination / Welge, Jobst -- The Everyday -- Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau / Blinder, Caroline -- Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou / Asholt, Wolfgang -- Entre mime et possession: récits surréalistes et fictions populaires / Rialland, Ivanne -- The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar / Spiteri, Raymond -- "Broken Clouds - also by Instalments": Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s / Veivo, Harri -- The "Abakans" and the Feminist Revolution / Jakubowska, Agata -- A Glossier Shade of Brown: Imi Knoebel's Raum 19 / Williams, Gregory H. -- Commerce -- Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde / Hopkins, David -- Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers / Burrells, Anna -- Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris / Dario, Maria -- Between the Old and the New: The Surrealist Outmoded as a Radical Third Term / Susik, Abigail -- "The Hidden Network of the Avant-Garde": der farbige Werbefilm als eine zentraleuropäische Erfindung? / Orosz, Márton -- Media -- Lessons from the Press: Picasso and Mass Print Media, 1911-37 / Angel, Sara J. -- Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) / Kókai, Károly -- "Produktion - Reproduktion": Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst / Jutz, Gabriele -- Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) / Rymenants, Koen / Verstraeten, Pieter -- A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s / Hamalidi, Elena / Nikolopoulou, Maria / Walldén, Rea -- Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s / Olsson, Jesper -- A Tentative Embrace. Superstudio's New Media Nomads / Elfline, Ross K. -- Index
Frontmatter -- About the Series / Sur la collection / Zur Buchreihe -- Contents -- Introduction -- Given the Popular -- Terms and Canons -- "The Madness of the Unexpected": Duchamp's Readymades and the Survival of "High" Art / Instrument of Inspiration: High/Low Illusions in British Experimental Music and After / English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension / Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide / Art, Nation and Political Discourse / Culture en quête de repères / Folklore -- Dada, Carnival and Revolution / Spuren der Volksdichtung in der ungarischen Avantgardeliteratur -- Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song / What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry / Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik / The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination / The Everyday -- Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau / Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou / Entre mime et possession: récits surréalistes et fictions populaires / The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar / "Broken Clouds - also by Instalments": Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s / The "Abakans" and the Feminist Revolution / A Glossier Shade of Brown: Imi Knoebel's Raum 19 / Commerce -- Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde / Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers / Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris / Between the Old and the New: The Surrealist Outmoded as a Radical Third Term / "The Hidden Network of the Avant-Garde": der farbige Werbefilm als eine zentraleuropäische Erfindung? / Media -- Lessons from the Press: Picasso and Mass Print Media, 1911-37 / Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) / "Produktion - Reproduktion": Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst / Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) / A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s / Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s / A Tentative Embrace. Superstudio's New Media Nomads / Index
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